Hello Dear Blogosphere - hope you've all been well! Sorry for the absence - ah, where does the time go? Well, absence makes the heart grow fonder, I suppose, so a fond hello from me...
Sharing here the first of a few tape rips that were sent to me by the esteemed Nathan Salsburg, music producer, guitarist, and curator of one of the greatest tape stashes on the planet - the Alan Lomax archive! If you haven't lost yourself perusing the hours and hours of field recordings generously made available online at the Association for Cultural Equity, do yourself a favor - head over there and dig into a real treasure trove! [I wrote about the Moroccan collection some time ago here.] Continuaing kudos to Nathan and the good folks at ACE for making this all available!
Today's offering is a cassette from the wonderful band Izmaz. I was first introduced to Izmaz via Mr Tear's postings (and Hammer's exhaustive notes) over at the recently retired Snap, Crackle & Pop blog here and here. (Though the blog has left the building, the links appear to be live, so grab 'em while you can!) There's a wonderfully laid back yet somehow also intense quality to Izmaz that sets them apart, to my ear, from their contemporaries on the Moroccan folk revival scene (Nass El Ghiwane, Jil Jilala, Izenzaren...) Extrapolating from Hammer's discographical information, this tape would appear to date from the early 1980s. And the j-card states that it was recorded in Paris. This album features the rrbab (horesehair fiddle) more prominently than on either of the two albums shared at Snap, Crackle & Pop.
Izmaz (Chariti - Phone cassette C.P. 27)
Izmaz (Chariti - Phone cassette C.P. 27)
01 Wahli Wahla Annite
02 Amaa Kmyaghen
03 Iwaa Ourreed Ghiyid Igazaal
04 Imnayen
02 Amaa Kmyaghen
03 Iwaa Ourreed Ghiyid Igazaal
04 Imnayen
Get it all here.