Monday, February 15, 2021

Paul Bowles' Library of Congress Moroccan Tape Stash Is On YouTube

In 1959, noted American author and composer Paul Bowles made several trips around Morocco recording as many strains of Moroccan traditional music as he could capture. Bowles curated some of these recordings for release on a 1972 2-LP set "Music of Morocco" issued by the Library of Congress.

Bowles recounts some of the experiences of the 1959 recording project in the essay "The Rif, to Music" in his essay collection "Their Heads Are Green and Their Hands Are Blue". For a deep dive into Bowles' musical upbringing and aesthetics and how these inform his recording project, it's well worth seeking out Philip Schuyler's essay "Music of Morocco: The Paul Bowles Collection", included in the 4-CD reissue and expansion of the Library of Congress album, released in 2016 by Dust to Digital. This release is one of the most beautiful artifacts in my own stash - from the ornate box to the leatherette-bound booklet down to the track selection, sequencing, and notes, everything was done with great care, thought, and taste.

If you can't find the box set, the album is available to purchase digitally at Bandcamp, including a pdf of the booklet. The album is also available to stream online through various platforms, though of course without the reading materials:

I had meant to post something about this back in 2016, but did not manage to do so. While scrolling through Twitter last week, I stumbled across a YouTube clip of a Gnawa recording I'd not heard before, originating from the Bowles' collection, but not issued as part of the LP or CD sets. The video was uploaded by Archnet, a digital resource sponsored by MIT and the Agha Khan Trust for Culture.

It turns out that Archnet has made the entire collection available online in YouTube form! 60 reels of tape! As Michael Toler of Archnet explains on his blog, these clips are raw transfers of the original tapes, so do not expect them to sound like the versions on Dust to Digital's release, which were nicely mastered to improve sound quality.

Still, what an amazing gift to be able to hear these tapes! As an additional gift, Archnet has uploaded a scan of Bowles' own typed notes on the recordings, which accompanied their submission to the Library of Congress: Excerpts from these notes appear in the Dust to Digital booklet, but you can now see the whole set.

I found the Archnet website difficult to navigate, and the way they have named the YouTube videoclips is inconsistent and often incomplete. So for my own benefit and yours, I have grouped the clips into YouTube playlists, which I hope are easier to navigate. The playlists are linked below. I generally named them by recording date, artist name/style and location. A small number of things listed by Archnet or in Bowles' notes are missing or mislabeled, but the links below will get you to nearly everything he recorded for the Library of Congress from August to December of 1959:

If time permits, I'll comment on some of the individual tapes in future posts. I'm of course loving the additional Gnawa material, in particular the hour's worth of material from 1956 (the first playlist above). Until then, there's plenty for you to explore!

Sunday, January 24, 2021

Cheb Khaled sings Najat Aatabou?

Over the last couple weeks, the K7MATIC blog has presented several tapes of the incomparable raï singer Cheb Khaled from the 1980s. I've been enjoying in particular the tapes from 1983-84. These albums are fascinating - existing on the cusp between the old full-orchestra style (with violins, accordion, electric guitar, etc.) and the newer electronic style that would come to prominence in the mid-late 1980s. 

I was delighted to hear the oud on a couple tracks from the album Salou Ala Nabi, which blogmaster Reda dates to 1984. 

As the album's final track progressed from a long oud solo into a mawwal and then into the song itself, I giggled gleefully as I recognized the song as "Samhi Liya Lwalida", which appears on Najat Aatabou's first album on Edition Hassania (which I believe dates to 1983 or 1984).

I'm pretty sure all the songs on Najat's album are of her own composition, so this appears to be Cheb Khaled covering Najat Aatabou. Far out!! (If somebody has different information about the song, please share it as a comment below.)

Check out all of K7MATIC's Cheb Khaled posts HERE. I'm particularly digging Atouni Waldi (1983) and Salou Ala Nabi (1984).

And of course you can still find my post/share of the Najat album HERE. Wow, this blog celebrates its 10th anniversary this coming spring!

Tuesday, September 29, 2020

Maalem Aziz Arradi - 7-Hour Gnawa Lila Recording

Salaam, friends - I just stumbled across a 7-hour (!!) recording of a Gnawa lila from Marrakech/Tamesloht that was posted on the Internet Archive by French musician David Vilayleck. It dates from November 2018 and features Maalem Aziz Arradi from Marrakech. I'm about 3 hours into it, and it's a real gift of a recording. Not because of its sound quality (it was recorded on a smartphone), but because of the pace of the performance and the overall ambiance of the recording.

You can't hear all of the lyrics, the guinbri is a bit buried, the qarqabas are pretty loud, and there's a fair bit of discussion going on among the assembled. In other words, this is what it sounds like to be at a lila. The songs take as long as they require to get where they need to go - or rather, to get people where they need to get to. 

Listen in the player above, or download from the Internet Archive HERE.

Thanks David and Aziz for sharing this recording, and alhamdulillah I found it on good night to be aurally transported away from the shitshow that my country has become.