Well here's another Moroccan live album from La Voix el Maarif! This one is from the Soussi group Oudaden. Unlike our last live album from LVEM
, which was recorded in Canada, this one was recorded in Morocco. According to the Arabic text on the spine and shell, this is a "live artistic soirée with Oudaden at the Ksar al Andalus in Agadir."
According to Anir at amazighnews.net
, Oudaden recorded their first album for LVEM in 1985. (Perhaps this is it? It does say "Volulme (sic) 1".) The author characterizes Oudaden's artistic direction as being different from that of earlier groups from the 1970s such as Izenzaren
. That earlier style, which came to be called Tazenzaret
(i.e., in the manner of Izenzaren), was characterized both by its "revolutionary" lyrics and by the novel musical compositions of Igout Abdelhadi, who incorporated non-Soussi rhythms and melodies.
Oudaden, on the other hand, represented a return to traditional Soussi rhythms and melodies, albeit with the use of the electric guitar alongside the banjo. Oudaden also specialized in love songs. This style - love songs, traditional Soussi melodies and rhythms, with a somewhat modernized ensemble - came to be known as "Tirubba" (possibly "in the manner of a rub3a
quartet"?) or "Tagroupit"
(in the manner of a groupe
- i.e., a modern ensemble). Oudaden group member Mohamed Jemoumekh, describes these styles as "le chaabi n tchelhit" (Berber chaâbi
There's rather a lot of tape hiss on this one - I tried to roll off some of it in the EQ. There's loads more Oudaden over at Yala
, if you want to sample some other, more hi-fi recordings of theirs.
By the way, the group name Oudaden refers to the bighorned Barbary sheep
native to the Atlas mountains.
Oudaden - Live at Ksar al Andalus, Agadir (LVEM 126)
Track 2 (of 4)
Get it all here
seems to be continuing its popularity. Moroccan Tape Stash blog follower Owen Buck traveled in southern Morocco earlier this year and was treated, while dining, to a musical performance from an amateur Tachelhit group. I couldn't tell you whether the style is more tazenzaret
, but the great sound of banjos, drums and pentatonic melodies is undeniable. Enjoy some of this performance here: