Chris over at the Jewish Morocco blog recently uploaded a couple nice tracks from this cassette here. There are some other audio goodies in his stash - mainly vinyl - from Morocco (Koutoubiaphone) and Israel (Koliphone), as well as great info about some overlooked artists. Check it out!
Sorry for the long time between posts these days. It's getting interesting here around Oakland!
Continuing with more Moroccan oud, but in very different style from my last post. Hamid Zahir is far and away my fave Moroccan oud player. This is not the oud of spacious, thoughtful taqasim or subtleties of touch. This is jamming, percussive, rhythmic, driving oud, and nobody does it to death like Hamid Zahir!
Hamid Zahir, as I understand it, got his start playing on the Djemaa el Fna plaza in Marrakech. If you subtract the oud from the mix here, you're left with your basic Marrakchi dkitikat percussion band: darbuka, ta'rija, bendir, and to turn up the heat, some qarqaba-s. Zahir's oud playing fits right in with the non-stop call-response propulsion of this type of music.
Zahir wasn't the first to mix "classical" instruments like oud or qanun with street music. The celebrated Houcine Slaoui (the father of Moroccan chaabi music, IMHO) was doing this in the 1940's. However, Hamid Zahir's recordings kick out the jams a bit more - perhaps because Slaoui was recording on 78rpm discs, while Zahir, who rose to fame in the 1960s, made recordings on 45s and LPs.
When I first visited Morocco, Abdenbi (my late musical interlocutor, Llah irhamu) recommended that I listen to Hamid Zahir to learn
Moroccan oud playing. For non-Moroccan musicians trying to "get" the Moroccan groove, Hamid Zahir would be my top recommendation. You can't really play Moroccan if you don't feel the rhythmic underpinning. Hamid Zahir serves it up, bare-bones and non-stop: rhythmically driven tracks, poignantly punctuated with interlocking clapping or with vocal call-response phrases that indicate points of emphasis within the rhythmic cycle; simple sung melodies that sit unambiguously on that loopy rhythm; long passages of the funkiest oud riffing on the planet; and bringing it all home with a climactic full-group cadence (see end of track 4).
It's even better when you can see the Marrakchi outfits and footwork!:
1) Sheftha Ghir b-Nedhra 2) Lil Lil Ya Sidi Aamara
BTW - not much of his stuff in print outside of Morocco. You can still find this excellent CD once in a while. Of course, there's scads of his stuff over at yala.fm.
BTW2 - A former member of Hamid Zahir's troupe is the Gnawi m'allem Abdelkbir Marchane (a.k.a. Abdelkbri Lechheb).
Here's some old school chanson moderne(musiqa 'asriya) from the 1950's-60s. Mohamed Fouiteh was a singer, composer and oud player who recorded a number of memorable hits and composed for other singers of the era. It was during this period that Moroccan chanson moderne came into its own. Earlier works often featured Middle Eastern rhythms and dialects in order to fit in with the mainstream of Arabic music coming out of Egypt and Lebanon. (Moroccan rhythms and dialect are disorienting and often unintelligible to Middle Easterners.) In the 50s and especially the 60s, Moroccan rhythms and poetic structures were used more often, blending in interesting ways with the orchestral style coming from the East. In this collection, songs like "Aw Maloulou", "Nhabbou Bla Khbarou" and "Lahbib Lahbib" are a nice mix of the Moroccan 6/8 chaabi rhythm and lyrics in Moroccan darija with the syrupy strings and long-form structures made popular by the stars of the Eastern Arab world. Other songs make use of Middle Eastern rhythms and melodies.
I got this tape from a seller in the Rabat medina who used to have turntables stacked to the ceiling in his storefront business. He mainly sold cassettes copied from out of print vinyl. This one, however, bears no audio trace of turntables or vinyl surface noise, so I'm guessing it's a mix tape of tunes recorded from the radio. The beginnings of several songs are faded in - i wonder if the person who made the tape edited out the talkover from radio announcers.
1) Nhabbou Bla Khbarou
2) Lahbib Lahbib
3) 'Andek Tensani
4) Talet el Ghiba
5) Machi Lkhatri 6) Aw Maloulou
